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In the messy yet beautiful universe of data I’m searching for the “question” this time, not the answers

by on November 4, 2011

In my “scientific”  journey for a more sharp focus for my research en-devour, I try to be “open” for connections, for the emerging creative inquiry process. The art is now, how to define the edge (boundaries) of the circle of focus. I’m pondering on: how to be interdisciplinary in my approach without diminishing argument integrity?  Looking for a new balance between “solid foundations”  (deductive routine) and what  Feyerabend coins as “scientific anarchy” (my interpretation: new inductive chaos). I’m being pulled back and forth between the overwhelming new opportunities of new media (in this case: the possibility of abundant user-generated data) and the” back to basics” research questions. Tomorrow I will only try inductive reasoning and see where that takes me. It feels as if I have an answer, but I still don’t know what my question was in the first place. Inductive is more intuitive, it embraces complexities, it just feels right, but it is an overwhelming ride.

A quote I came across this week, when reading Bill Viola‘s essay “Will there be Condominiums” in Data Space?” for #nmfs_f11 keeps echoing in my mind:

Scientists always marvel at nature, at how it seems to be some grand code, with a built-in sense of purpose. Discoveries are made which reveal that more and more things are related, connected. Everything appears to be aware of itself and everything else, all fitting into an interlocking whole.”  (Bill Viola, 1982)

I will for now answer Bill Viola’s question he posed in 1982; “Will there be Condominiums in data space?”  with a No. Condominiums are fragmented, as he himself knew more than anyone else. I feel more for an ocean of data, where fluidity represents connectedness.  But the challenge with the more natural “everything is connected” approach is the question: from which angle do I have to look at this perpetual continuity, and what is enough for this project of mine? Or is “the ocean [indeed] without a shore” as the title goes of one of Viola’s art-projects?

Bill Viola’s “Raft” fits the feeling described here perfectly:

Questions, focus…please, do emerge soon…

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One Comment
  1. rheyden permalink

    Great post, Nadia! I really appreciated the connection you draw here between scientific anarchy (laying ourselves open to new data, new possibilities) and the “flow” suggested by Viola’s work. I’m with you – no condominiums in dataspace.

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